Nuacht
This thrilling production of Saul takes Handel’s dramatisation of the Bible’s first Book of Samuel and paints it in pictures ...
Marianne Moore once famously defined poems as “imaginary gardens with real toads in them”. Operas also fill, or anyway should ...
Eva Quartet are four outstanding Bulgarian voices of polyphonic purity and depth, drawn from the legendary choir Le Mystere ...
The Bush Theatre is becoming a garden centre. Earlier this year, the venue staged Coral Wylie’s Lavender, Hyacinth, Violet, ...
In those seemingly long-ago times of loneliness and lockdown, artists around the world invited us into their kitchens and ...
The first series of The Gold in 2023 was received rapturously, though apparently it only told one half of the story of the ...
If you’re horse mad or merely an every-four-years Olympic fan, you already know Nick Skelton’s story. Equestrianism can ...
Marina Diamandis is a proper pop star, brilliantly full-on, off on her own thing. The Welsh singer is primarily known for ...
Fiddler on the Roof, Barbican review - lean, muscular delivery ensures that every emotion rings true
It’s always a risk when a production changes venue. In the curious alchemy of live performance, no-one can be sure whether a ...
Müller-Schott , RSNO, Søndergård, Usher Hall, Edinburgh - spectacular Shostakovich to end the season
There was a neat conjunction of commemorations to this concert, the most obvious one being the fact that that 2025 marks the ...
Forest and the Shore” by Keith Christmas is remarkable. In his essay for Gather In The Mushrooms, compiler, author and Saint ...
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